Most Expensive Art in the World Most Beautiful Art in the World

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've e'er taken an art history class or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. As with other subjects, most of what we learn about fine art history today notwithstanding centers on white men from Europe and, after, the United States. In reality, at that place are and then many more artists of all genders to larn from and capeesh.

Hither, we're specifically taking a await at just some of the women who take had lasting impacts on their fine art forms. From some of the art earth'due south about iconic pioneers to its most unsung heroes, these women artists all had a paw — and, in some cases, still have a hand — in changing the earth of fine art and how we ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring'south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than 30 years. After studying the piece of work of painters like Cézanne and Monet while abroad, she returned to the U.s., condign best known for her portraits of prominent Blackness Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Ii photographs from Cindy Sherman'south Untitled Film Stills (1977–80). series. Photos Courtesy: Museum of Modern Fine art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her serial of Untitled Film Stills (1977–eighty) — self-portraits in which Sherman "posed in the guises of various generic female movie characters, among them, ingénue, working daughter, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media'southward influence over our individual and collective identities.

Yoko Ono

A withal from the operation Cut Piece, 1964, and a movie of the installation Half-A-Room, 1967, as seen at the Museum of Modern Fine art in New York Metropolis in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You lot might first think of Yoko Ono every bit a musician and activist, but she'due south also an achieved performance and conceptual creative person. Ono was considered a pioneer in the performance art movement, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cut Piece, was a performance she first staged in Japan; Ono saturday on stage in a prissy adjust and placed scissors in front of her, and, in an act of daring vulnerability, invited audience members to come on stage and cut away pieces of her clothing. "Fine art is similar breathing for me," Ono has said. "If I don't practise information technology, I start to asphyxiate."

Betye Saar

Betye Saar'south Black Girl's Window, 1969 (full and detail). Photos Courtesy: Museum of Mod Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective inverse her entire career trajectory — and, in turn, part of the trajectory of art history.

Saar was part of the Blackness Arts Motility in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can get the viewer to look at a work of art, then you might be able to requite them some sort of message."

Frida Kahlo

People expect at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Civilisation in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It'southward rare to observe someone who hasn't at least heard of Frida Kahlo. A cocky-taught painter from Mexico, she is all-time known for exploring themes similar death and identity through her self-portraits. Kahlo ofttimes used bold, bright colors to create her symbol-rich works, and was regarded equally one of the most influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs within the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'due south Infinity Mirrors showroom at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, just she'southward likewise known for her hyper-existent sculptures, polka dots, installations, and and then much more than. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her enduring Mirror/Infinity rooms serial, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former Showtime Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photograph by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, frequently doing everyday activities — something that became more mutual in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald's piece of work — and her signature grayscale peel tones — as she was the first Blackness woman to consummate a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Series Red With Yellow in Albuquerque, New United mexican states. Photo Courtesy: Tony Vaccaro/Getty Images

Known every bit the mother of American modernism, you probable acquaintance Georgia O'Keeffe with her paintings of New Mexico'southward landscapes, flowers, skulls, and, merely maybe, the skyscrapers of New York Metropolis. In the 1920s, she was the first woman painter to gain the respect of the New York fine art globe, all past painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Panthera leo for best artist in Okwui Enwezor's biennial exhibition All the Globe'south Futures, part of the 56th Venice Biennale in 2015. Photograph Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question club, identity, and racial politics by demanding the audience to confront truths about themselves. She often challenged people on the streets of New York to gauge her race, socio-economic form, and gender — all while dressed as a Blackness human being with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat'southward poses in front of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York Metropolis in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Iran Islamic Revolution took place. She is all-time known for her photography, flick, and video work, much of which explores the relationship betwixt Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

Equally a neo-conceptual artist, Jenny Holzer'southward work focuses on words and ideas, which she puts on advertizing billboards, projects onto buildings and adds to electronic displays or neon signs.

These works brandish phrases that human activity as meditations on various concepts, such every bit trauma, knowledge, and hope. One of her more notable works, I Olfactory property You On My Pare, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'due south Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Ago)

Much of Rebecca Belmore's fine art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Ethnic North American civilization. In 2005, she was the kickoff Ethnic woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photograph Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is ameliorate known for her installation fine art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the principal styles shaping the art earth.

Mickalene Thomas

Mickalene Thomas' A Little Gustation Exterior of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced past pop civilisation and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Blackness American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photograph Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures inside the early on Feminist Art movement. As exemplified in her iconic work The Dinner Party, her installation pieces often examine the office of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the first feminist art program in the United states of america.

Augusta Barbarous

Augusta Savage with one of her sculptures in the mid-1930s. Photograph Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating scenic sculptures, ofttimes of Black folks, Savage founded the Savage Studio of Craft in Harlem in 1932, and, a few years later, she became the offset Black American elected to the National Clan of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modernistic Fine art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body art". (Only look up her most famous piece of work, Interior Whorl, and you'll come across what nosotros mean.) She used her body to examine women'southward sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin'south Christmas on the Other Side, Boston, 1972. Photograph Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'southward piece of work challenges traditional ability relations. In add-on to documenting New York Metropolis's queer subculture postal service-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'southward Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this wait similar an Andy Warhol to you? Well, that's the thought! Elaine Sturtevant, who went past her final proper name professionally, was a conceptual creative person known for her inexact replicas — that is, non-quite-right copies of big-proper name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Various hanging sculptures past Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Grouping/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based creative person, Asawa'south last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World War 2.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photograph Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and mural photography, Catherine Opie has been a photographer since the historic period of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a way that conveys ability and respect past evoking traditional Renaissance portraiture.

micha cárdenas

Withal from Sin Sol (No Lord's day) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and banana professor who won an Touch on Accolade at the Indiecade Festival in 2020 and the Creative Laurels from the Gender Justice League in 2016. She believes didactics is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climatic change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Fine art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who likewise specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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